Experimental Work

Art Books: One Drawing a Day – A 6-week Course

| Patricia

“To practice any art, no matter how well or badly, is a way to make your soul grow.”
~ Kurt Vonnegut

Years ago I purchased Veronica Lawlor’s book, One Drawing a Day – A 6-Week Course Exploring Creativity with Illustration and Mixed Media. Coming across it again recently, I thought it would be a good addition to my current daily art-making regimen.

The author opens her book with this quote:

“The important thing is to do,
and nothing else; be what it may.”
~ Pablo Picasso

Thinking about Picasso’s statement, I felt an easing of the grip of creative block that’s been haunting me for months. It’s not what I make that is the most important consideration. It is the action of creating, even something I might consider sub-par, that is at the heart of any habit we want to establish.

As Andy Warhol said, “Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.”

Angry Sky: Splashing Around with W&N, February 28, 2023

| Patricia

“Painting is just another way of keeping a diary.” ~ Pablo Picasso

This is a quick watercolour sketch of a seascape, painted with a small travel set of Cotman Winsor & Newton watercolour half cakes. Testing a new watercolour paper to see how the paint flows, absorption, etc. I found the 90 lb. cold press stock too thin to stand up to the reasonably light wet-in-wet application in the sky area but handled the flowing liner brush strokes on slightly damp paper on the bottom half of the painting quite well. The paper was quite absorbent, grabbing the paint in some areas before edges could be softened.


These quick watercolour sketches, using a familiar subject I paint regularly, help me concentrate on the materials rather than the subject. I find that doing quick smaller sketches helps embed a sort of painting ‘muscle memory’ that gets easier the more often we ‘exercise’ it. While the travel set is great for tucking in your pocket for small on-the-road sketches, I still prefer using tube paint in studio.

Artwork Copyright Patricia White 2023

Sketchy Coloured Charcoal Apple, FEBRUARY 25, 2023

| Patricia

“The sweeter the apple, the blacker the core…” ~ Dorothy Parker

I’ve been using my DAILY PAINTING regimen to experiment with new materials, rather than working in just one medium or style. When testing new products, I generally draw a familiar subject so I only have to think about how the materials are working.

LOVED working with Derwent’s Coloured Charcoal pencils (included in their Derwent Sketching Collection).

Used a limited palette of Brown Ochre 5700, Terracotta 6400, Peat Tinted Charcoal TC18 and Burnt Earth Tinted Charcoal TC19 but I will definitely be checking out adding a larger range of colours.

Artwork Copyright Patricia White, 2023.

Paint Like CÉZANNE

| Patricia

“Painting from nature is not copying the object; it is realizing one’s sensations.”
– Paul Cezanne

Over the past months I have been reacquainting myself with many of the master artists of the past. Most of them came from traditional roots and many were ridiculed when they broke with tradition to explore other ways of looking at and depicting a subject. They are also the artists we revere the most all these generations later.

This is my quick study, working title ‘Paint Like Cézanne’

All artwork and creative writing is Copyright ©️ of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

All artwork and creative writing is Copyright ©️ of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Origins

| Patricia

DRIVEN to ABSTRACTION: I invite my FB friends (who I recognize generally seem to enjoy my more realistic figurative art) to COMMENT on one of my recent abstract pieces. I like to throw these expressionist pieces into the mix every once in a while to ‘DISTURB the CONTINUUM’. This piece (working title ‘ORIGINS’) was an effort to recognize black history month by noting the DIVERSITY that makes up the HUMAN race. This iteration EVOLVED from a more figurative early sketch into this abstracted piece that ELIMINATES distracting DETAIL in favour of more contained shapes that MELD into, and become PART of, each other. Subtle desaturated colour indicates differences in skin colour that, while important, shifts the focus to our common humanity. The shaded space where the eyes are located create an interesting dynamic that is not easy to define. Some depths we have not plumbed? Or do not wish to see? I enjoy making ART that challenges the viewer to THINK beyond the canvas. P. S. Late in 2020 I started using my iPad Pro as a virtual sketch pad to be used as a concept tool to create traditional paint and paper or canvas works.

Artwork Copyright Patricia White 2021.

Daily Sketchbook

| Patricia

This site is dedicated to maintaining a daily habit of making art. It may contain pages from my sketchbooks, examples from past work, conceptual ideas and inspirational influences, I have several small sketchbooks and journals in my ‘bedoffice’, with a variety of drawing and painting materials stacked alongside, so I can get an idea down quickly when it is fresh in my mind. One really CAN make art on just about anything. This quick ‘fantasy landscape’ sketch was drawn with a set of 72 half stick Faber Castell soft pastels and may serve to inspire a larger work down the line. Has a bit of a woodblock feel to it I think. This cool little 7” x 9” book was originally purchased as a small photo album. It has thick black paper separated by glassine-like cover sheets, perfect for protecting soft pastel sketches. The photo paper however is UNFORGIVING, having a shallow tooth that fills quickly with each stroke, disallowing more layered colour. Still, I will be sad when this little book, with it’s bright woven fabric cover, is full but want to get a HIGHER QUALITY BLACK PAPER to continue EXPERIMENTING with light on dark work.

Artwork Copyright Patricia White 2021.

Chalk Forest

| Patricia

When the cares of the world weigh heavy, I debrief my psyche by making art. This is a little 6” x 9” soft pastel sketch drawn in a small photo album on not-so-friendly shallow-toothed absorbent black paper that can only take two layers of pastel before its pores are full. This is CHALK FOREST a study for a series of larger abstract-expressionistic landscape pieces.

Artwork Copyright Patricia White 2021.