Landscapes

Goodbye Summer Segmented Landscape 8.25.2026

| Patricia

“August is like the Sunday of summer.” — Unknown 

GOODBYE SUMMER: As summer winds down, the fields are filled with wildflowers and dandelions morphing into cottony white feathers that disperse like a swarm of butterflies riding on the wind.

Lately I have enjoyed creating NatureScapes with various elements contained within their individual segments. It’s like a way to honour the feature by calling attention to it on its own.

WET WEATHER AHEAD: Ontario’s fall 2026 weather forecast, according to the Old Farmer’s Almanac, predicts a cooler, wetter September and October for southern Ontario with above-average rainfall. Chilly weather is expected to hit during the last week of September. So, fellow Ontarians, get out there and enjoy the waning days of Summer and dig out your boots and slickers for the coming deluge.

HOW HAS YOUR SUMMER BEEN? What is your favourite spot to sit outdoors and ruminate on life, love and all living things? Put your thoughts in the comment section. Many thanks for reading.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Strokes of Paint Define the Artist’s Story

| Patricia

“That a work of creation struggles and insistently demands to be brought into being is a fact that no genuine artist would think of denying.” ~    Dorothy L. Sayers, Author

What happens when a painter or writer or other creative person sits down to work?

Does she know what the end objective will be or is it an exploration into the unknown?

Does the sculptor look at the lump of clay before him and envision the finished work?

For me, in these later stages of my lifetime of creating art, I tend to sit down with materials spread around me, zero in on something that catches my eye or my imagination—a paint colour, a shape, a few words or a snippet of verse that pops into my head—and I begin. I try not to censor any idea at this point, allowing all zaps of inspiration to take their place in the beginning lineup of inspiration.

After all, what is there to lose? A bit of time? A few materials? For me, the experience is the thing, the equity, the purpose of the entire process of creating something that wasn’t there before I started.

The verse included in today’s post came all at once with only a few improvements made after the fact. I popped the text over a digital watercolour I painted months ago to create this piece.

What is your creative process? Please add your thoughts to the comment section.
Thank you for reading this post.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

The Night the Artist’s Tools Took Over the Studio

| Patricia

An Anthropomorphized Tale – After hours artist’s materials do their own thing.

The Artist had left the studio for the day. Her materials breathed a sigh of relief. Their workday was finally over and it was time to  play.  

The micron ink pens wiggled their way out of the package and rolled across the table toward the drawing pad. “What will it be tonight?” the .30mm asked. “How about a nice linear seascape” the rigger brush suggested. So it was that the ink pens sprung into action and sketched an outline of a simple linear landscape. First, drawing a rectangular box, wider than deep, then the outlines of rolling hills and striated clouds, along with a round orb hovering on the horizon. Standing back, hands on ‘hips’ they surveyed their work. “It’s a good start” an older stub of a graphite pencil said, balancing on his almost used-to-the-rim eraser. 

Next the watercolour box flipped open and the number six rigger brush jumped into action. First wetting its long hairs in a jar of water and then, rolling itself in a pan of colour, mixing up a warm teal and a light turquoise. The brush then deposited light layers of colour inside the inked-in lines. The painting tools finished up with some shading in the sea and sky sections and dabbed on a yellow-orange wash in the sun shape.  

Then the pens and brushes stepped back and admired their work. “Won’t the mistress be surprised in the morning” cooed one young liner in her high squeaky voice. “Hah, she will likely think she painted it and just forgot, the dolt” boomed the ancient, and well-used, 1” Aquarelle, to howls of laughter. ~ Patricia White (the dolt in question), July 5, 2026.

I hope you enjoyed this fanciful vision of art materials feeling the need to bust out of their servitude to the whims of the artist.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Scribble Tree – Daily Concept Fresco Sketch

| Patricia

“The best time to plant a tree was 20 years ago. The second best time is now.” ~ Chinese Proverb


Just a quick little scribble that turned into a wee tree.

With summer hitting its stride here in Southern Ontario, Canada, my thoughts turn to the abundant greenery surrounding our home in a tiny corner of the city. It feels like we are living in the country again, only here we have sidewalks, LOL.

Trees are integral to life. They absorb carbon dioxide and emit oxygen. Our city was built on the steel industry. it is also one of the greenest cities in the province. We must work to protect the trees. Thanks for reading.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Trying Out Daler Rowney Aquafine 24-pc Watercolor Travel Set

| Patricia

“Painting is just another way of keeping a diary.” ~ Pablo Picasso

I recently purchased a 24-colour travel set of Daler Rowney Watercolours made from high-quality organic pigments that deliver rich colours with premium mixing ability, with long-term resistance to fading, Made in England.

The pigments are, as advertised, strong and vibrant. The blue cloudscape to the left is my first try and I found it to be overly saturated.

Next, I resolved to load less paint on the brush and build up lighter layers that are more transparent as I would normally work with watercolour paints.

The second attempt was better but felt like I was still finding my way through the strong staining power of the Daler-Rowney watercolour pigments that continued to feel too heavy and a bit muddy.

The third exercise was painted with a 3/4” long #6 rigger liner brush using Prussian and Ultramarine blues, dragging the brush in long, flowing strokes.

I was starting to feel like I was getting the hang of these materials. 😉

Have any of you used this brand of watercolour? if so, what are your observations, experience using it in practice?

Thanks for reading.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

A Tiny Pencil and Watercolour Daily Sketch

| Patricia

“The landscape thinks itself in me, and I am its consciousness.” ~ Paul Cézanne


‘GreenScape’ is a quick colour study from one of my older sketch books. For many years I have tried to keep a habit of doing art every day. Even if it is just a tiny sketch like this imagined landscape scribbled down in a small 4” x 5” notebook (one of a several drawing pads that sit on my bedside table). These studies can inform colour combinations and suggest forms to use in larger compositions.

Keeping a colour journal, as well as a features collection, can help when a larger future work isn’t quite working. Flipping through these binders and sketchbooks can give new insights for where to go in the new work.

The initial sketch, shown here, was drawn with a common HB lead pencil, with a few brushstroke washes added using a small Cotman Water Colour Sketchers’ Pocket Box.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Inky Tree Concept Sketch

| Patricia

“If I lose paper and ink, I will write in blood on forgotten walls.” ~ Henry Rollins, Spoken Word Artist

Not every work is a masterpiece. Some merely get the creative juices flowing. Some become fodder for future works. Any practice is better than none.

I prefer thinking in the abstract—the unknown or the simplistic. At times writing a passage that can be interpreted in more than one way, so the reader has some responsibility in how they react to what is written. Painting in broad strokes and leaving some of the detail to the viewers’ imaginations. I’ve created a multitude of tiny landscapes in this vein. It is a good way to loosen up for larger pieces.

Perhaps I have a short attention span, and simply want to get on to the next thing. However, I generally think in terms of “I like this right now. If I continue, I’ll screw it up”.

In addition, I’m one of those people who has multiple thoughts running through their brain at any given time. So I don’t have a lot of time to concentrate on just one concept, unless I want the others to float off into oblivion. Anyway, this is just a thought. Anyone else out there identify?

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

Watercolour Salt Experiment: Mixed Results

| Patricia

“Passion is the salt of life…” ~ Françoise Sagan, author.

A small experimental piece to try out materials, techniques and colour combinations.

In this approximately 6” x 6” watercolour, I dabbed some beads of Daniel Smith tube colours (Yellow Light, New Gamboge, Pyrrol Scarlet, Quinacridone Rose, French Ultramarine, Phthalo Blue) midway down the sheet. Next, I floated clear water up to the paint, tipping the board to flow the colour into the corners of the space. When still wet, I sprinkled some table salt in a couple spots. Some lovely cloud-type and crystalline shapes formed. Though the salt did not disperse as much in later stages. Perhaps the paint was too dry by that time. Also, the salt didn’t rub off very well after dry. I expect it will work better with thinner washes.

Lessons learned include: a) work faster before the paint dries too much to easily flow; b) use a coarser salt and apply it where there is more water on the sheet; and c) put paint on in thinner or smaller daubs to start.

What are your ‘go-to’ subjects, materials, colours when you just want to doodle?

Art created 3/19/2026.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.

A Small Coloured Pencil Sunlit Ocean Landscape Sketch

| Patricia

“Live in the sunshine, swim the sea, drink the wild air.” ~ Ralph Waldo Emerson

“The torrential rains pelted down from lowering moisture-laden clouds. The sun-burnt grasses, that lay flat on the long-parched hills, lifted their faces to the welcome relief from the drought.” ~ Patricia White. Written March 13, 2026.

A small sketch from my bedside stash of art materials. Whenever I pick up a pencil or brush with no preconceived idea of what to draw, it often turns out to be a sea/sky-scape. I love using complementary colour combinations for the dynamics they set up on the canvas.

What are your ‘go-to’ subjects, materials, colours when you just want to doodle?

Art created 2/12/2026.

All artwork and creative writing is Copyright © of Patricia White. No use of this content or concept may be used without the express permission of the artist/author.